Poag
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克里欧·巴纳德
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Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story. A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles? Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
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安德鲁·莱格
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Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II? Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
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理查德·本杰明
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12岁小男孩弗兰克·惠勒(Michael Patrick Carter 迈克尔·帕特里克·卡特 饰)正值青春期,情窦初开。弗兰克和几个小伙伴把卖牛奶的钱凑在一起,打算将这笔积蓄去城里好好奢侈一回,看一场成人脱衣舞表演。然而事情并非像他们想象得那么简单,中途,他们遭到袭击,不仅积蓄被一抢而空,连单车也被偷了。弗兰克就在如此偶然的机缘下结识了完全生活在另外一个世界的妓女V(梅兰尼·格里菲斯 Melanie Griffith 饰)。在危机时,V向他们伸出了援助之手,让他们回了家。 V漂亮时髦,虽然是一位风雨女郎,但却有着一颗金子般善良纯洁的心。弗兰克对V倍感亲切,他打算把V介绍给单身多年的父亲汤姆·惠勒(艾德·哈里斯 Ed Harris 饰)。让V嫁给父亲,成为他的继母,从而引发了一连串啼笑皆非又温情满满的爱情故事。
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迈克尔·贝
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美国海军陆战队法兰(艾德•哈里斯 Ed Harris 饰)将军因不满政府对退伍、战死军人及其家属的补偿和福利不满,率领部下将美军最新研制的生化武器――VX毒气弹――偷运到罗克岛,劫持了81名正在该岛观光的游客,控制了该岛。要挟美国政府48小时内支付1亿元赎金否则将杀死人质并用毒气弹袭击旧金山。 罗克岛之前曾是美国防卫最严密的监狱,易守难攻。美国政府偶然从档案中发现前英国特工梅森(肖恩•康纳利 Sean Connery 饰)曾顺利从该监狱出逃,于是他们请来了梅森,要求他30小时之内带领特种部队攻占这座“魔鬼岛”……
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阿历克塞·巴拉巴诺夫
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俄罗斯去年最受争议的话题影片,少产的鬼才导演巴拉巴诺夫(代表作《畸零与色情》)卷土重来展示俄式致命挑釁,用《德州电锯杀人狂》式恐怖炮制荒诞的政治讽刺,全程黑色得震撼。 故事发生在苏共的最后岁月,一个极权开到荼蘼的超堕落时刻,党组织高层的女儿去买醉,遭警官禁锢后诸般凌辱。影片后段警官在睡房上演末世浩劫,警官母亲饮醉邻房无动于衷,爆笑的对白怪异的音乐竟又会令人失笑,貌似普京的军官更令人看出个所以然。影片曾获西班牙希洪电影节最佳导演奖。
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吉姆·贾木许
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奥尔良监狱里新来了两个“无辜”的罪犯:Zack(汤姆·威兹 Tom Waits 饰)和Jack(约翰·劳瑞 John Lurie 饰)。Zack是一个DJ,被女友抛弃后在街上浪荡的他接受了一个朋友的工作:把一辆车开到一个地方,路上他却被警察拦了下来随后在车后座发现了一具尸体;而Jack则被一个老朋友所说服,去见一个年轻貌美的妓女,就在他准备享受一番之时,警察破门而入将他带走。不久,监狱里又来了一个意大利杀人犯Bob(罗伯托·贝尼尼 Roberto Benigni 饰)。三人在一间牢房里闹了不少笑话。百无聊赖的他们计划逃狱,竟然成功了。三人艰辛走过沼泽地,穿过树林,来到了一个意大利女人Nicoletta(尼可莱塔·布拉斯基 Nicoletta Braschi 饰演)住的小屋。Bob和Nicoletta两个意大利人沉浸在爱河中,最后只剩下Jack和Zack继续上路,而他们两人又将在面对岔路口时走向何方...... 本片由美国独立电影导演吉姆·贾木许Jim Jarmusch执导,为一部黑白电影,参加了1986年的戛纳电影节。
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约瑟夫·齐托
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上一集的大屠杀之后,杰森和十个年轻人的尸体被警方收敛,然而在医院中,杰森再次醒来,将夜班医护杀死,不知所踪……保罗、莎拉(Barbara Howard 饰)等六个年轻人租下了林中的木屋度假,木屋旁边住着汤米、丽丝姐弟以及他们的母亲一家。保罗等人到水晶湖中戏水,全然不知这里曾经上演的血腥故事。汤米和丽丝因汽车抛锚结识了自称是猎熊人的青年罗布(Erich Anderson 饰),罗布拜访汤米一家后在森林中安营,夜幕降临时,莎拉等人和新认识的姑娘在屋中狂欢,再次归来的杰森如常开始了夜色中的猎杀。汤米和丽丝发现母亲失踪,四处寻找时再次遇见罗布,原来罗布的妹妹被杰森所害,他特意在湖区驻扎,寻找向杰森复仇的机会……
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西奥·安哲罗普洛斯
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电影从异常沉闷的养蜂人斯皮罗女儿婚礼开始,婚礼结束后斯皮罗依旧跟着养蜂人的队伍南方放养蜜蜂,他已经习惯这样的飘泊,所以他准备告别家人,从此独自在路上。半道上他遇到了失恋的少女搭车,他好心让无处可去的少女在旅馆住了一夜。继续上路的他遇见了儿时的玩伴,他们追忆着年轻的日子,同时他在少女青春的张扬和活力里重新有了生命存在的确定,他甚至忘记了自己的年龄,有着“老夫聊发少年狂”的冲动。然,相聚是短暂的,当少女再度上路的时候,斯皮罗内心涌动着太多的伤感,他明白对于自己没有什么可以依恋的了,于是,在阳光下他打开了所有的蜂箱…….
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阿什什·阿维纳什·本德
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A fast-paced comedy, Aatmapamphlet tells the twin story of a childhood love and that of momentous social change in 1990s India. Bold, moving, and insightful, this directorial debut places friendship over political factions and love above everything else.
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Eric Paul Erickson,Jon Kondelik
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一场来势汹涌的风暴引发全球性的连续降温,降雪和冰冻使得城市运行全部瘫痪,世界处于一片冰封之中。纽约市政府正发动群众前往马瑟斯空军基地的地堡,以期民众在更大的风暴来临时躲过灾难。布里十分渴望通过追踪风暴收取天气异常的数据传输给身为科学家的父母,为找出这场风暴的原因贡献力量,遂与男友泰勒驱车追赶风暴中心。却在追踪的过程中遭遇道路塌方,与许多大学生一起,被困在红杉社区大学,雪崩堵住了学校的所有出口。幸而布里已经与父母取得联系,在等待救援的同时,运用自己的所学知识组织大家自救,他们要在永远被冰封之前逃离这里……
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Marian Yeager
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娜塔莉的父亲不幸离世,娜塔莉被告知自己成为家里唯一的继承人,而自己玩世不恭的哥哥没有继承父亲的任何遗产。善良的娜塔莉虽然不知道哥哥的下落但决心将自己的一半遗产留给哥哥,以挽留哥哥跟自己经营一个寄宿旅馆。然而贪婪的哥哥闻讯赶来只想骗取娜塔莉的遗产,并没有痛改前非的意思。哥哥为了还债还找来行骗高手装作抢劫犯行骗。天真的娜塔莉信以为真,一心为哥哥抢回遗产,但是残酷的真相让她倍受打击。最后娜塔莉决定给游手好闲的哥哥一次教训,她精心策划了一场骗局让哥哥深感抱歉,同时又成功的抢回了属于自己的遗产。影片最后兄妹俩和好如初,但是向往自由的哥哥最终还是离开了,妹妹把父亲生前最珍爱的珍藏硬币留给了哥哥。
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南森·西尔韦
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Mona (Maëlle Poésy) has recently arrived in New York from France in order to mount her newest play — an autobiographical piece that depicts her tumultuous, on-again, off-again affair with a married photographer, Nick (Linas Phillips). Mona casts Chris (Keith Poulson) as Nick and Thérèse (Esther Garrel) to play the fictional version of herself. As rehearsals begin, a love quadrangle emerges: Mona falls for Chris, Chris becomes infatuated with Mona, and Thérèse develops deep feelings for Chris. This tangled roundelay unfolds in five chapters, covering the same events from each of the four character’s perspectives and culminating in a fraught production of the play itself.






























